Tuesday, August 28, 2012

56. The Battle of Algiers (1966) *


Gillo Pontecorvo's film focuses on the guerrilla warfare tactics used by Algerians in the years 1954-1957.  Struggling against colonial rule, the National Liberation Front (FLN) - based in the Casbah in Algiers - became increasingly violent in their endeavour to free Algeria in the War of Independence.  The film begins and ends with the focus on Ali la Pointe, who is recruited by the FLN leadership.  

The film was loosely based on the book Souvenirs de la Bataille d'Alger, by Saadi Yacef (who plays El-hadi Jafar in the movie). It was shot in black and white and in documentary style, although much of the action is highly dramatised.  The film shows the subversive techniques used by the FLN:  how bombs were transported and made, the command structure of the guerilla organisation, the role of women and the response of French paratroopers. 

Nominated for three Oscars and winner of the UN Bafta Award, the film is a classic war movie and highly recommended. 

55. Born into Brothels (2004) *

Calcutta's Red Light Kids



Sonagachi, Calcutta.  The Red light district.  

Photographer Zana Briski lives in the area for two years in order to photograph the women of Calcutta.  During this time 'Auntie Zana' teaches the children the art of photography forming a particularly close bond with some of the kids.  Kochi, Avijit, Shanti, Manik, Puja, Gour, Suchitra, Tapasi and Mamuni star in this film about the children of Calcutta. 

The filmmakers decide to try help the children get an education.  Gour, one of the young boys, expresses the fear that the girls will become prostitutes, drug addicts and thieves.  Without opportunities, the children face being sold, forced into prostitution or married off at a young age.  Already two of Zana's children were forced into prostitution and married at 11 years old and Avijit's mother was burned to death by her pimp. 

A rare glimpse into the red light distinct of the emerging global power.  The film won an Oscar for best documentary and is worth watching.  

More information about the project and the children can be found here.  The website provides updates about the children featured in the documentary and supports the children (who chose to be supported) in their education. 

54. Heart of Jenin (2008) *


November, 2005, Ahmed Khatib, an eleven year old child was shot dead by the Israeli Defence Forces whilst playing with a toy gun in Jenin, Palestine.  His father decided to donate the boy's organs to other children in need of transplants in Israel.  The documentary tells the story of Ahmed's father as he goes to Israel to meet the children.  One child is a Bedouin Arab, another child is from an Orthodox Jewish family.  Through the unselfish actions of one man, we are shown a glimpse of humanity, kindness and suffering of the everyday people of Palestine and Israel as the search for peace remains illusive. 

Directed by Lior Geller and Marcus Vetter. 

Thursday, August 23, 2012

53. April Capitains (2000) *

Capitaes de Abril




On the 25 April 1974, a Portuguese radio played the 'Grandola' a song banned by the New State Dictatorship in power since 1926.  The song was a signal to revolutionaries, sick of the colonial wars in Angola, Mozambique and Guinea Bissau, to begin the 'Carnation Revolution'.  The military coup and the ensuring civilian resistance campaign toppled the dictatorship in Portugal and led to democracy without a single shot being fired.

Maria de Medeiros (Pulp Fiction), who stars and directs the movie, plays the role of a female activist married to the career soldier fighting in Africa.  She fights against the colonial wars through resistance with her students and others.  The movie tells the story of the civilian resistance and military coup in the run up to the 25th April.  In particular, the movie focuses on the story of Captain Salguiero Maia (Steffano Acorsi) one of the heroes of the Revolution.


An interesting film highlighting the history of Portugal with which English and American law students may not be familar.  Some of the scenes call to mind the regimes of Franco and the dictatorships in Latin America, which used censorship and torture to control and repress civilian populations. My favourite bit was when the civilian population start to cry out 'libertad sexual'!

Random Fact:
In addition to the Grandola, the 1974 Eurovision entry 'E Depois do Adeus' was played as a signal to begin the revolution.

52. The Apple (1998) *


Samira Makhmalbaf's directorial debut was met with critical acclaim and screened at film festival around the world.  Made when she was only 17 years old, the Apple, tells the real life story of two 12 year old girls who were locked up by their father and blind mother.  The two girls cannot speak and have not been let out for 11 years.  The neighbours therefore write to social welfare who take the girls and wash them.  The social worker returns to find the girls locked up again and, so in turn, locks the father up in place of the girls.  During this time the girls go out to play in the streets.  

The characters in the film are played by the real family involved in the case and by members of the Director's family.  The director Samira has stated on the family's official website:

The Apple,  which was originally conceived as a documentary picture, provided me with the pretext to carry out research on the issue of how much playing in the alleys and streets, which is the much exclusive prerogative of boys, helps men become more social than these women who do not have the chance of playing in the alleys and streets.  The film was also a means of discovering parent's motives when they act as their children's prison guards.  I also wanted to know how it is possible that the people in the neighbourhood can remain unaware of a virtual prison in their vicinity, or how they could remain indifferent when they became aware of the catastrophe.  and frankly I haven't found the answer to this last question. 

A part of the Iranian new wave movement, the Director similarly to her  sister and mother takes children as the focus to explore questions of social exclusion and gender. An interesting and promising film about horrific excesses of gender discrimination gone mad.

Wednesday, August 22, 2012

51. Notorious (1946)


Last week I went to the BFI Southbank to see Notorious (1946) by Alfred Hitchhock.  The British Film Institute (BFI) is currently celebrating the 'Genius of Hitchcock festival' showcasing some of the Master of Suspense's work.  For those unfamiliar with Hitchcock his most famous movies include, Psycho, The Birds, Marine, Rear Window and Vertigo.  He has many other amazing films, mixing suspense and humour, such as, Strangers on a Train (1951) - remade by Danny DiVitto as Throw mamma from the train (1987), The Trouble with Harry (1955) and the Rope (1948).  Hitchcock is considered to be one of the movie greats, having moved from silent film to modern cinema, influencing directors and filmmakers around the world.  I've been looking for an opportunity to include a Hitchcock movie and Notorious seemed like an opportune movie.  


The movie is a film noir thriller, combining suspense with romance.  The film begins with the trial and conviction of Mr Huberman for treason (a law connection).  Alicia Huberman (Ingrid Bergman), his daughter, is contacted by Devlin (Cary Grant) and asked to go to Brazil to spy on Nazi friends of her father's.  US secret agents want to know what the Nazis are doing in Rio.  Alicia agrees to fly to Rio and soon Devlin and Alicia begin a passionate affair unaware of the details of the task.  However, Alicia must use her female charms to get herself into the close circle of Alexander Sebastian placing her love and her life at risk.

According to the BFI website Hitchcock was often demanding and cruel to his actresses.  His on screen portrayal of women and the brutal treatment of females led to charges of misogyny.  Ingrid Bergman, remembered most famously for her role in Casablanca, acted for Hitchcock three times (in Spellbound (1945) and Under Capricorn (1949).  However, due to an affair with Rossellini, Bergman was effectively banned from Hollywood for a number of years.  

A number of Americans were prosecuted following the end of the Second World War for treason following their participation in the Third Reich.  For example, Mildred Gillars and Rita Zucca, known as Axis Sallys, were American broadcasters were employed to disseminate Nazi propaganda.  They were arrested and prosecuted for treason. 

Tuesday, August 21, 2012

50. Princesas (2005)

yo se que un dia
vendra mi suerte
un dia me vendrá a buscar
a la salida un hombre bueno
dando la vida y sin pagar
mi corazon no es de alquilar
me llaman calle


Fernando Leon de Aranoa's movie about prostitution in Madrid is a realistic and hard-hitting insight into the world of sex workers in the capital.  Caye (Candela Peña) a young Spanish woman is a prostitute, working to save up money for breast implants.  She befriends the beautiful Zulema (Micaela Nevarez), an undocumented migrant from the Dominican Republic, working to send money home to her family.  Through their friendship Caye soon learns the vulnerable position of those without papers in Spain.  Zulema is tricked by men offering her false documents for sex, beaten up, has no protection from police officers who will deport her, and works at night in Casa de Campo, Madrid.  As a migrant without documentation, Zulema must offer sex for less and without protection, she ultimately pays a high price.  

The Director wished to shed light on the 'invisible women' of Madrid who are have a triple quota of persecution and pain, because they are women, because they are illegal, and because they work as prostitutes.  He wanted to show the risks of their profession and also call attention to the lack of their voice.  The film is about these women and their dreams and expressions of hope. 

Manu Chao's song 'Me llaman calle' is played throughout the film.  It won the film, best original song, at the Goyas.  He has other songs about prostitution in Spain including Malegria about la Calle del desengaño located just behind Gran Via on the way to Malasaña.  

From a human rights perspective, the film deals with multiple issues including, discrimination, race, HIV, gender based violence, intersectional discrimination and migrant worker's rights.   Recommended.